Format Converter (Advanced)
Convert with custom bitrate, sample rate and channels
100% free. This tool needs our server to do the work, so what you submit is sent there, processed and then discarded - it is never stored.
Drop an audio file or click to upload
MP3, WAV, OGG, FLAC, AAC, OPUS, M4A · max 25 MB · max 10 min
About this tool
This is an advanced audio converter that gives you fine-grained control over bitrate, sample rate, and channel configuration (mono/stereo) when converting between formats - useful when a specific technical spec is required, like a particular bitrate for a podcast platform or a specific sample rate for broadcast standards.
Clean up a recorded voice track
Record, cut the dead air, level it, then export in the format you need.
- 1RecordCapture straight from your microphone.Open
- 2TrimCut it down to the take you want.Open
- 3Remove silenceStrip the long gaps between sentences.Open
- 4Level the volumeBring a quiet recording up to a usable level.Open
- 5Convert formatMP3, WAV or whatever the destination wants.You are here
How to use this tool
- Upload source audioAdd file and identify destination format requirements.
- Choose output format/settingsSet codec, bitrate, sample rate, and mono/stereo channels.
- Convert and previewProcess file and verify audio quality against target use.
- Download converted fileExport finalized audio for publishing, delivery, or playback.
Common audio settings
Podcasts are usually published as MP3 at 128 kbps for mono speech or 192 kbps for stereo, at 44.1 kHz. Video and broadcast work normally uses 48 kHz. Speech-only recordings can be mono, which halves the file size with no loss of clarity.
Raising the bitrate of an already-compressed file does not improve its quality; it only makes the file bigger.
Key features
- Handles spec-specific audio conversion requirements cleanly.
- Provides fine control over quality vs file-size tradeoffs.
- Useful for podcast, broadcast, and platform compatibility.
- Saves time compared to desktop DAW setup for simple conversions.
Common uses
- Converting WAV masters to MP3 distribution files.
- Preparing 48kHz audio for video production pipelines.
- Reducing file sizes for upload-limited platforms.
- Normalizing channel format for voice-only recordings.
Tips for better results
- Convert from highest-quality source to minimize artifacts.
- Use mono for speech-heavy content when stereo is unnecessary.
- Avoid repeated lossy re-encoding cycles.
- Match platform ingest specs before final export.
Mistakes to avoid
- Using very low bitrate and degrading speech intelligibility.
- Resampling unnecessarily without target requirement.
- Converting lossy-to-lossy repeatedly and compounding artifacts.
- Ignoring peak clipping after downstream processing.
Frequently asked questions
Bitrate controls how much data is used per second of audio - higher bitrates generally mean better quality but larger files, while lower bitrates reduce file size at the cost of some audio fidelity.
44.1kHz is the standard for music (CD quality); some platforms or professional audio workflows may specify a different rate like 48kHz - use whatever your specific destination requires.
Stereo preserves the full left/right channel separation of the original recording. Mono combines both channels into one - sometimes required for voice/podcast platforms to reduce file size, since stereo separation often isn't meaningful for spoken content.
Most accept MP3 at 44.1 kHz; 64-96 kbps mono is enough for a speech-only show and 128 kbps stereo suits shows with music. Check your host's guidance, since some re-encode uploads anyway.
44.1 kHz is the music and CD standard; 48 kHz is the video and broadcast standard. Match the project you are delivering to - audio for a video edit should be 48 kHz so it does not need resampling later.
No. Detail that a low-bitrate encode threw away cannot be restored; re-encoding at a higher bitrate only makes the file bigger. Always convert from the best original you have.